In the end, Slatkin seems a little too well groomed for this highly charged music. Rachmaninoff poured his heart into the new work, but he was also meticulous in constructing it. The Second is the prize of the lot, and also happens to be the first recording of the complete, uncut version of the symphony.
Happily, there are other choices available. He also delivers a surprisingly peppy Vocalise. Who knows what treasures might be awaiting you there.
In brief, these are the greatest versions of the symphonies that I know. In any case, they sound terrific here, and incredibly outmatch the London Symphony in tonal beauty and intensity of expression. Yuri Temirkanov can be a very uneven conductor: This performance is not recommended. His interpretation is greatly enhanced by the playing of the St.
It was no mistake that the first work he produced during this long sabbatical was the Second Symphony. The result is a symphony that seems more kinetic, lighter on its feet, less brooding or melancholic. His sound is brighter, his textures leaner and more transparent. The second and fourth movements fare no better.
If I had to recommend one performance of the work, this would be it. Still, I find something missing. In his hands, the music seems episodic, less like a symphony than a tone poem. Whether he did so or not remains a matter of some critical conjecture, but it does at least suggest the problem facing any conductor who approaches the work: I also have a fondness for the idiosyncratic Mikhail Pletnev, who in this instance is convincingly fresh, invigorating, and individual.
There are, of course, other choices: In the finale, Gergiev again presses forward too quickly, making the triumphant ending seem like a series of anticlimaxes. His approach emphasizes the symphonic structure, but sometimes does so at the expense of its emotional content.
The Second Symphony would erase the memory of the First, and prove once and for all that he could indeed compose a proper symphony. The critical failure of his First Symphony, the fiasco of its premiere, had sent Rachmaninoff into analysis with a severe depression that the popularity of the Second Concerto had only partially relieved.
The scherzo is rushed, hectic, the lilting second theme stodgy and inert. In his first recording with his new orchestra, Slatkin takes the opposite tack. Though hardly inexpressive, Slatkin keeps things moving purposefully along, and resists the temptation to stop and admire the scenery.[C#m D B G#m F#m C# G# F# D#m D# Fm E A#m A G Em Am] Chords for Vocalise (Rachmaninov): Natalie Dessay.
with capo tuner, play along with guitar, piano & ukulele.
Inspiration Vocalise: Best of Rachmaninov. CD 1 Aug Barcode: Composer: Sergei Rachmaninoff Other participants: Sir Simon Rattle, Natalie Dessay. The very first cut sets the tone for the whole CD: Rachmaninov's "Vocalise." No words--the soprano's voice is itself another orchestral instrument in effect.
Dessay displays an absolutely ravishing vocal line, to my ears/5(19). "Vocalise" is a song by Sergei Rachmaninoff, composed and published in as the last of his 14 Songs or 14 Romances, Op. Written for high voice with piano accompaniment, it contains no words, but is sung using any one vowel of the singer's choosing.
It was dedicated to soprano Antonina Nezhdanova. The proper place for the performance of vocalises is in the singing studios” wrote a sung as agreeably as are the various items in this recital by Natalie Dessay.
Vocalise (Rachmaninov) by Natalie Dessay - Pandora. Find album reviews, stream songs, credits and award information for Vocalises - Natalie Dessay on AllMusic - Vocalises - Natalie Dessay | Songs, Reviews, Credits | .Download