We can start with the close up where he begins to throw the ball and then cut to the wide shot where we see the ball leaving his hand and traveling across the field. Sunday, 3 June Continuity and Discontinuity Editing Continuity editing is the style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs.
Both forms of transition fade and dissolve create an ambiguous measure of ellipsis that may constitute diagetic narrative days, months, years or even centuries. Within each category, specific techniques will work against a sense of continuity.
A match on action is when some action occurring before the temporally questionable cut is picked up where the cut left it by the shot immediately following. Through the use of the dissolve or the fade, one may allude to the relative duration of ellipses where the dissolve sustains a visual link but the fade to black does not.
The rule prevents the camera from crossing the imaginary line connecting the subjects of the shot. Just as important as temporal continuity to overall continuity of a film is spatial continuity.
So in that sense, the viewer may not become particularly disoriented, but under the principle of spatial continuity editing, crosscutting is considered a technique of spatial discontinuity.
Match on action technique can preserve temporal continuity where there is a uniform, unrepeated physical motion or change within a passage.
Another method is the eye line match. The Degree Rule and Spatial Continuity The first rule that any filmmaker needs to learn before he picks up his camera is the degree rule.
Its theory is that it is difficult for a viewer to become disoriented when all the story space is presented before him.
However, in a story which is to occupy many hours, days, or years, a viewer would have to spend too long watching the film. Another method is the eyeline match. The young boy scene would be a flashback. The rule prevents the camera from crossing the imaginary line connecting the subjects of the shot.
Breaking the Rules Not everything in your movie needs to be edited to the continuity style. In these cases the audience will clearly understand that the places are supposed to be separate and parallel. The flashback is a relocation of time within a story, or more accurately, a window through which the viewer can see what happened at a time prior to that considered or assumed to be the story present.
Continuous diegetic sound helps to smooth temporally questionable cuts by overlapping the shots. What you do is create an imaginary line across your set that you will not cross with the camera. Cross-cutting is a technique which conveys an undeniable spatial discontinuity.
The important ways to preserve temporal continuity are avoiding the ellipsisusing continuous diegetic sound, and utilizing the match on action technique.
Once the spatial distance and positions has been established, you should not violate it if you want to maintain continuity. Bordwell, David; Thompson, Kristin Temporal discontinuity can be expressed by the deliberate use of ellipses.
One way of preventing viewer disorientation in editing is to adhere to the degree rule.
It cannot be argued that one constitutes short ellipsis and the other long however, as this negates the very functional ambiguity created by such transitions.Editing: Continuity and Discontinuity 1.
Two Approaches to Film Editing 2. 1. Continuity: Narrative-based Editing How can a filmmaker combine individual shots to tell a story? Montage Editing vs Continuity Editing Continuity Editing Discontinuity Editing A deliberate process of eliminating continuity within scenes, getting the watcher hooked on the meaning of the film not just the action.
Non-Continuity Editing. SOVIET CINEMA: s. Montage editing: does not serve narrative, as does continuity. Films are "editing constructions" Exploits discontinuities between shots, such as jump cuts.
Jump cuts occur when the 30 degree rule of camera placement is violated.
Each camera position must be varied at least 30 degrees from. Continuity and Discontinuity Editing Continuity editing is the style of film editing and video editing in the post-production process of filmmaking of narrative films and television programs.
The purpose of this of this editing is to smooth over the inherent discontinuity of the editing process. Non-Continuity Editing/discontinuity Flash Backs A flash back in a movie is a scene that has happened prior to the current event that is going on in the movie. What does this have to do with continuity and discontinuity in development?
The psychologists who stress the continuity of development tend to view nature as more important than nurture.Download